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How to Become a Bestselling Author

Kylee Legge - Monday, January 21, 2013
The Publishing Queen
Penguin Random House

How to Become a Bestselling Author

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It seems to be the question of everyone’s lips these days and to be perfectly honest with you in Australia this is pretty easy to achieve with our lenient standards of only 10,000 copies required to be sold before maintaining this status for life. New York in comparison requires you sell 10,000 copies a week just to maintain that status.

Of course some people still think that is a lot so get caught up with the rumour of 5,000 copies, created by one self publishing educator trying to bulk sell their package from stage, who stated you can put best seller on the cover once you’ve sold 5,000 copies (false advertising aside) as that will allow you to quickly and easily move the other 5,000 copies.

Other people thought if they purchased 10,000 copies themselves they could have that status so filled their garages with boxes and boxes of unopened books they still can't move. The rule however is sold, which is defined by a purchase from anyone other than the author or publisher, but then people after hearing this definition started selling contributor books to their contributors in bulk trying to bend the rule this way.

Then moving to the digital world an Amazon best seller is based on per category sales and defined as the top 40 in any category at any given time where people are obtaining the status quickly and easily by moving bulk copies of a free book in a matter of hours after it is released and then taking a screen shot to claim that status in all future marketing. Then there are those people who won’t associate with you unless you are a best-selling author and so the snobbery of travelling in those ‘it’s all about me’ circles begins. But I ask you with all the rumours going round and everyone trying to achieve it (and doing so by the various ways of cheating the system) what is bestseller status really worth.

If you ask me people are going after the wrong thing. Do you just want the 15 minutes of fame from being a best-selling author which is here today and gone tomorrow or do you want the ongoing success of being a published author with your credibility not being derived from the volumes of books you sold over a given period of time but from the quality of the content of your book and how that affects peoples’ individual lives on an ongoing basis.

What I mean by that is don’t get caught up in the hype and underestimate the power of the content of your book in attracting your ideal customer to you time and time again. Publishing a book to profile you as the expert in your field turns the 80/20 rule, where 20% of clients take up 80% of your time (and vice verse) upside down and does so as early as the prospecting stage so those time wasting potential clients now spent $25 to discover they are not your ideal client instead of wasting your time requesting quotes they don’t plan to go through with. Better yet your ideal customer spends that same $25 to pre-qualify themselves as your target market, turning marketing from a traditional business expense to a profit generating exercise and getting you a financial return from the life of these clients much higher than 10,000 book sales. Having high calibre clients pay to find you time and time again instead of you wasting your hard earned money paying to find them is something every serious business owner should aspire too.

For more information on how to enter the publishing industry by publishing a book cashflow positive to profile you as the expert in your field click here.

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Recycle your marketing to promote your book time and time again

Kylee Legge - Monday, September 24, 2012
The Publishing Queen
Radio Northern Beach

Recycle your marketing to promote your book time and time again

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Do you want to know how to widen the audience of your media attention? Well the secret is to recycle your marketing to promote your book time and time again. What I mean by that is capitalising on an event by marketing before, during and afterwards - all at not cost to you!

Media attention is one of the easiest kinds of events to do this with. You promote the event beforehand on social media which profiles both you as the expert and the station/publication doing the interview which results in 2 things; firstly more people listening in or reading the article and secondly favour with the host or journalist so they are more likely to invite you back or do a repeat story.

Then of course you do the actual interview giving the people whatever they ask for eg. be available based on their schedule (not yours) happy to start late, run overtime etc. anything they require to make their life easier. Don't openly promote yourself (unless they ask you too which then yes you always put in a plug for you and your business) but focus on providing invaluable information; firstly because you will get a longer segment but secondly because then you have something worth recycling.

Once you have that invaluable product it about syndicating it, that is getting it out to as many people, as fast as possible for as long as possible, those who are your target market that is and the best ways to do that is as follows. Step 1 - Get a copy of the coverage and upload it to your website, Step 2 - write a blog post that ties into that so you can direct people to it, Step 3 - send a newsletter out to notify people about the blog post and Step 4 - promote the blog post on social media.

None of these techniques will cost you anything other than your time but the results from this will be invaluable to you and whatever you are promoting (your book, your business etc.) as you have now got 3 lots of exposure for the one piece of content in 4 different mediums some which are short lived but others will allow that marketing to last forever.

Let's look at a quick example of this based on the radio interview I attended yesterday. Scroll down if you would like to listen to any of the 4 segments that the interview ran for, a brief synopsis of each is underneath.

Radio Northern Beaches Segment 1 – 9:09 mins

  • The power of the ‘expert in your field’ credibility book – attracts your ideal client to you time and time again while transforming the lives of those who otherwise wouldn’t have heard of you time and time again
  • The importance of ‘pre-selling’ your book – selling your book before it exists online via your webstore and getting media attention at the same time
  • Current ebook prices + formats – what different prices work for each of the different distribution methods and what different formats work for each of the different reading devices

CLICK TO LISTEN

Radio Northern Beaches Segment 2 – 8:20 mins

  • Children’s ebooks – what’s the best process to take for this target market and how to profile your book
  • Steps to successfully publish your book – the similarities and differences between the printed and ebook and which stores to use to sell each to keep up to date with the latest technologies
  • The importance of marketing – the kind of returns you can expect if you correctly market your book opposed to just distributing it and how your book can be a business in itself

CLICK TO LISTEN

Radio Northern Beaches Segment 3 – 7:35 mins

  • What is a publishing retreat – picking The Publishing Queen’s brain about the nitty, gritty of your book and learning how to pre-sell with live results
  • Project management for the writing process – how to write a book in less than 7 days and the secrets about how to express getting your book out of you opposed to the myth of creating a polished product overnight
  • How to ‘pre-sell’ your book – the 3 ways and what to do with each

CLICK TO LISTEN

Radio Northern Beaches Segment 4 – 7:07 mins

  • Why are people currently buying more nonfiction then fiction? – a cheap way to overcome whatever you are currently struggling with paying for a coaching session verses you profiled as the expert they should go to for the coaching when/if they choose to
  • How to craft the title of your book – what makes someone pick your book up and how to capture their attention in a few short seconds
  • The current highest selling areas

CLICK TO LISTEN

For more information about the Cashflow Positive Book Publishing seminars mentioned throughout click here

For more information on the Pre-sale Accelerator Publishing Retreat mentioned throughout click here

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Seasonal Deadlines and Sales Opportunities

Kylee Legge - Monday, September 10, 2012
The Publishing Queen
Borders

Seasonal Deadlines and Sales Opportunities

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We all hate deadlines and we all love sales opportunities yet at the same time sometimes deadlines are good as they put us under pressure to achieve results and sales opportunities are bad as we can miss out on them by not being adequately prepared.

The ideal combination is therefore having a deadline for every sales opportunity so you are always prepared as I find the amount of pressure you put you put yourself under is proportionate to the results you don’t achieve eg. a little pressure gives big results but a lot of pressure gives little results. Which deadlines however tie in perfectly with sales opportunities? – the answer is seasonal ones as they do this for you naturally without you needing to link the two together. Whether it’s tying your romance novel release in with valentine’s day or your 10 top parenting tips with mothers or father’s day there is no season more valuable to an author regardless your genre of book than Christmas.

The biggest misconception however when it comes to Christmas is that Christmas sales are made in December – this couldn’t be any further form the truth. In reality the last minute rushed sales are made in Dec but the real Christmas purchases are made in November with the early bird shoppers trying to avoid the Christmas rush making their purchases as early as October. If you want your books to be in stores for these months then you really need to be thinking 3 months ahead eg. July for October release, August for November and September for December for a few reasons.

Firstly stores decided which books they will stock from your distributors catalogues 3 months ahead, secondly when stores order more books then you have in stock (as we encourage printing small quantities regularly when running your publishing process cashflow positive to keep your initial investment as low as possible) it gives you time to reprint and thirdly in the case that this is the first time that you have printed your book it allows you to pre-sell your book (in a channel where this traditional was not possible so that you have an idea of how many to print before the print run) but also to give you plenty of time so you don’t need to rush that print run (ie. adequate proofing, shipping and leaving room for error time) as nothing goes wrong when you leave time for it too and everything always seems to go wrong when you rush or express things.

In other words when the 1st of July comes around and people start planning their Christmas in July celebrations that is when you should start planning for your Christmas sales as well. So given the date at the time you are reading this article what do you need to do today to ensure your Christmas deadlines for this year are met? Think about your self distribution, online distribution and bookstore distribution. Think about your pre-sell and think about your printing. Think about the specifics of your book and what format your target market would like to buy or receive their Christmas presents in and then begin putting those thoughts into practical steps of action.

If you have any questions based on the specifics of your book email them through to me and I would be happy to answer them for you.

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The Power of The Third Book

Kylee Legge - Monday, August 20, 2012
The Publishing Queen
Borders

The Power of The Third Book

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Everyone wants to publish a book these days and there are two ways to publish a book; traditional publishing vs. self publishing. Being I teach and offer services in self publishing I am obviously a little bias as to which to choose however people still come to me for both.

I have people approaching me very against traditional publishing saying they want to control their own process and make sure the product is exactly as they want it to be and need their hand held the whole way through the process like a traditional publisher never would and then by the end of the process they decide self publishing is too much work so they will traditionally publish their next book.

Then I have the exact opposite approach and people come to me saying they are disgusted with how little marketing their traditional publisher did on their first book and complaining about how much work they had to do themselves and how they would have been better off self publishing and keeping the rewards from the process.

I find it very interesting that it doesn’t matter how you publish your first book the number of people that switch to the other method to publish their second because they are not satisfied with something. The question is what are they not satisfied with?, are they upset with the process, the outcome or the fact that they didn’t get what they expected in either simply because they didn’t know what to expect.

I love the power of the third book as after trying both methods they always come back to self publishing. Whether they tried it first and then didn’t like the outcome so went traditional only to decide they preferred the outcome of self better or whether they started with traditional changed to self and enjoyed the difference so much that decided to stick with it is irrelevant people always come back.

I don’t have a problem with traditional publishing, it’s just not for me. If you can handle rejection after rejection until you are one of the small 5% accepted and you don’t mind someone taking your book and turning it into what they want instead of what you did and organizing everything for you so you are told when you need to go where and talk to whom to get the media coverage round the release then go for it. It is of course cheaper as they might take control of your book and your life but in return they do take care of the costs for you as well. If however you would prefer to be in charge or your own process, have you book looking how you want it to look and being promoted and selling where you want it to sell then maybe self publishing is the way for you. Remember however to save 2 books down the drain when the marketing doesn’t go the way you want it to try to make the right decision the first time around.

How do you know what that correct decision is for you? How do you know what to commit to? Well ask yourself this… either way you are going to need to be involved in the marketing of your title (as with either method if you don’t get regular media attention your books don’t move in stores – and the media want to interview you not your publisher), do you want someone else to do everything for you and tell you what to do and when in return for a small royalty per sale or do you want to do things yourself so you can choose what you do and when and get a higher return per sale therefore not needing to sell as large volumes to get the same financial results. Self publishing is called ‘self’ publishing for a reason so if you don’t have time to involve your ‘self’ then don’t go down that path however likewise don’t get tricked into thinking traditional publishing will fix this problem as your time will still be involved in marketing as everyone wants to speak to the author not the publisher. At the end of the day if you don’t have time to commit your ‘self’ to your publishing in some way or another you need to seriously question yourself as to why you are publishing a book in the first place.

For more information on what is involved in marketing your book to help you make this decision check out our Cashflow Positive Book Publishing seminars and webinars.

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Cashflow Positive Book Publishing

Kylee Legge - Monday, August 06, 2012
The Publishing Queen
Borders

Cashflow Positive Book Publishing

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People keep asking me what exactly is ‘Cashflow Positive Book Publishing’ so I thought I would release an article that explained it in more detail.

Firstly it works best if you are a business owner and you are publishing a book as to get credibility as the expert in your field but wish to use it as a marketing tool on an ongoing basis so you can get paid to market (instead of paying to market) your business at the same time. The strategies will work for any book but at the end of the day a cashflow positive publishing, distribution and marketing process based solely on the sales of a $20 book is never going to be as valuable to you as the ideal $20,000 client it can regularly send your way.

Basically it works like this. Firstly if you publish a book on the same subject matter as your area of expertise (ie. what you do for a living) then all publishing and distribution costs become an instant tax deduction – in other words all sales become pure profit! That may be nice but depending on both the costs of your publishing project (which will vary from book to book based on size of book, printing specs, distribution channels used etc.) and your current available capital there may be a shortfall between the two. This is where Cashflow Positive Book Publishing first comes into play as it shows you how to bridge the gap between the two by financing the production and distribution costs out of someone else’s pocket – that’s right you claim the cost on your tax but someone else pays for it; almost sounds too good to be true! The secret is pre-selling your book (ie. that is selling your book before it is printed, designed or sometimes even written) and to do this you must start with the end in mind and market before you start.

How can you ensure the success of your book before you put pen to paper? Simple market first! If there is not a demand for your book don’t release it as otherwise you will have wasted a lot of time and money only to be left with a garage full of boxes upon boxes of unopened books and wondering what you did wrong. If this is sounding like you don’t stress as one of the best things about Cashflow Positive Book Publishing is you can start doing it at any time and make up for the mistakes of your past ( which only occurred in the first place simply because you didn’t know what you didn’t know before you started) however saying this it is always best to begin cashflow positive marketing before you have even put pen to paper so you don’t get any of the unneeded heartache from any time or money accidently wasted.

There are seven stages in the publishing process and distribution is traditionally the 7th but if you want to publish your book Cashflow Positive start with the end in mind and always do it first. Whether you want to distribute your book yourself, online, in bookstores or a combination of all 3 you can begin preselling your book today and that isn’t even the best part. Throughout the whole publishing and distribution process your book sales won’t only fund the cost of your publishing process for you but they will be turning the 80/20 business rule upside down in the process. You will have heard the expression ‘20% of your clients take up 80% of your time’ (and vice versa) but publishing a book fixes this issue for you too. You can’t control who buys your book but what you can control is how every sale works for you. Those time wasting prospects/clients no longer take up your time with their silly questions as their first point of contact is not to speak to you on the phone or in person (as the credibility that comes from having published a book shows them your hourly rate is too expensive for this) but instead of taking up your valuable time with no intention of buying (or worse purchase your cheapest product/service and then harass you for the next 6 months about how to use it) they pay $20 to purchase your book and read how to do it themselves so you no longer need to be bothered by them.

Better yet (and this is the really juicy part of Cashflow Positive Book Publishing) your ideal client pays the same $20, reads the same book and qualifies themselves as wanting to work with you so then approaches you to begin the process as they have already built a relationship with you through your book and have confirmed you are the only person they want to work with and you haven’t even met them yet. That’s right your ideal client approaching you time and time again excited and ready to begin work with you and you did nothing on an ongoing basis to achieve this. You are now truly getting paid to market (and not paying to market) and that is the icing on the cake of Cashflow Positive Book Publishing. With your ideal client being attracted to you on a regular basis you will never again need to spend money marketing your business but will continue to get paid a $20 spotters fee (instead of from you to someone, from your ideal client to you) time and time again. This is Cashflow Positive Book Publishing at its best but seriously it is just pocket money compared to the dollars these high quality, prequalified prospective clients will bring to your business over the complete period of time you service them for.

To find out more about which no cost marketing techniques need to be applied to begin this process for you, your book and your business today click here for more details on my next Cashflow Positive Book Publishing seminar/webinar.

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So you want to publish a book and do not know where to start?

Kylee Legge - Thursday, September 08, 2011
The Publishing Queen
Borders

So you want to publish a book and do not know where to start?

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So you want to publish a book and don’t know where to start?  The good news is this isn’t a problem but means you are completely normal and just like everyone else. How can you possibly know where to start if you are doing something you have never done before and therefore don’t know what you don’t know about it.

As such I decided to write some quick tips to help you out. The key thing you need to know is you must start with the end in mind. In other words line up why you want to publish a book with how you plan to distribute your book and the rest of the process can flow from there.

Why are you publishing a book

I want to fulfil a dream – you must distribute your book yourself as there is no greater way to get satisfaction from publishing books then to be meeting your target market on a regular basis and seeing the changes you book has made in their lives.

I want to earn a passive income – you must distribute your book online as this is the quickest way to get the highest  financial returns with the least amount of ongoing work involved.

I want to gain credibility – you must distribute your book via bookstores as this method only works if media attention is involved and if the media is talking about you and your book so is everyone else.

Where to start for each process

Self Distribution – this only involves your time and you can set it up for free. Organise to speak for free anywhere you target market will be in return for being allowed to sell copies of your book afterwards. You can design and print your own order form to be completed by customers on the day and if you promote your events via social media there will be no marketing costs involved either.

Online Distribution – this has the highest set up costs but the lowest ongoing costs. Start with what you can afford eg. a template (customed designed to match the branding of your book), a content managed website (so you can edit it yourself) and a shopping cart (to automate the selling process for you). You can grow the functionalities of your store from the profits it brings in.

Bookstore Distribution –  this has no set up costs as such but a low returns on investment so it’s a numbers game. You might only get $1-$2 profit per copy of your book sold but if you move 5,000 do you care? The trick to this choice is to take it slow supplying low volumes of your book to stores so they sell out encouraging them to re-order as re-orders have higher volumes then initial purchases and also have lower return rates.

If you would like more information on the other 6 stages of the publishing process and how to create your customised publishing plan to get your from where you are now to where you want to be click here.

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CASE STUDY – Colour Worms -The 3 stages to publishing success

Kylee Legge - Tuesday, July 19, 2011
The Publishing Queen

CASE STUDY – Colour Worms -The 3 stages to publishing success

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People always think they have to choose between self publishing and traditional publishing. What saddens me is that over 50% of the time people choose to settle for self publishing after receiving rejection after rejection when trying to pitch their book to a traditional publisher and/or distributor. This saddens me on 2 levels; firstly because I don’t see self publishing as settling for second best but actually I prefer it as a) there is no rejection, b) it has higher financial returns and c) it allows you to have complete control of your book and the whole publishing process. What people always seem to forget is that you don’t actually need to make the choice but self publishing is a viable way to get picked up by a traditional publisher and/or distributor.

Now that might sound strange as why would one area of publishing seemingly in competition to the only other option look at that publishing option to source prospective authors? The answer is really easy it is less work for traditional publishers as they can already see the results so reduce the risk of their financial investment by jumping straight to the profits. The average person who pitches a book to a traditional publisher submits a manuscript. While this is a standard procedure page after page of plain text is not only boring to read but looks like all the other manuscripts submitted on the same day as yours and as such you pitch gets lost in the pile. You receive a standard rejection letter not because there was necessarily anything wrong with your book but because they didn’t even have time to read it as it didn’t stand out from all the others.

Self publishing your book first is a perfect back end into the traditional publishing industry as your book stands out like a black sheep. Instead of a manuscript they see a finished product so they know exactly how the book will look. You don’t only send a manuscript but you send one with appropriate illustrations, designed to look like an actual book, possibly already registered to give you credibility and even if only a sample copy already printed so they don’t need to invisage how the final product will look. All that is left for the publisher/distributor to do is the distribution and marketing and as that is where the money is to be made. As you have already done the hard work if they like your title they will jump at the opportunity to work with you. Better yet they are much more likely to like your title if they can already see it has been brought to life rather than picturing how they would have to do that for you.

Shan Joseph, author of ‘Colour Worms’ a 3D illustrated young children’s book to teach children colours is a perfect example of this. While it was not necessarily his intention to traditionally publish in 3 easy steps he got offered a traditional distribution contract he wasn’t even looking for. I bet you want to know what the steps are so you can do it yourself. Well since this is a case study I am actually going to share them with you.

Step 1 – Self Publish your book – eg. write, illustrate & print a copy so you know exactly how you want your book to look.

Step 2 – Approach a Self Publisher to take your book to the next level – eg. edit your writing, improve your design, check the legally of your book to make your book all round more professional and then professionally print and distribute your book so you have a higher quality product that reaches a larger audience so step 3 comes naturally.

Step 3 – Wait for a Traditional Publisher to find you – notice I don’t say pitch to one, pitches more often than not end in rejection but if you wait for a traditional publisher to approach you suddenly they don’t have control of whether they accept or reject you but you get to make the decision of whether you accept or reject their offer – an interesting turn of the tables.

And so that is exactly what Shan did. He did enough work himself that we were very excited to work on his book to get it to the next level and into bookstores Australia wide and within 6 months of distribution his title had already been picked up by a traditional distributor.Of course the downside is they may want changes you may not agree with and your profit margin is significantly reduced, which are usual with traditional publishing (everything you have already done being changed to what they would have done) but the good news is he never would have got this opportunity had he not done this work first and have a finished product that they could see it to invest in. In short he may have had to reduce his profit per sale but with the ability to distribute on a larger basis it is an opportunity he would have been crazy to turn down.

To purchase Shan’s current book click here

For more information on using The Publishing Queen’s services just like Shan did click here

To read Shan’s testimonial of the experience see below:

I have always wanted to write a short Children’s Book, for me, the biggest hurdle was the actual publishing and printing of the book. For a long time that had daunted me until one day I decided to take the plunge and see how far I could go. Initially to be honest I found it very difficult to get any sort of information. When asking for quotes from printers, I would generally get a very brief reply with hardly any explanation, some printers were generous enough to lend me a hand but for the most part of it, they seemed to think that I was just wasting their time.

I guess what was a blessing for me was when I bumped into Kylee. She was doing a presentation at a nearby library and a few friends encouraged me to go. Feeling quite defeated, I dragged myself to the presentation and was pleasantly surprised when Kylee started going through the book process in a very down to earth non-threatening approach.

After briefly showing her some prototypes of my book, I booked in a session with her to discuss it more in depth. My first session was great, I had a million questions, and she helped me lay out a book plan in easy steps to help me achieve the goal of getting my book published.

I had about 1 million more stupid questions, and Kylee answered them all, she really made me feel comfortable in asking any questions, and always explained things a few times if needed. After multiple mistakes on my part, and even more questions my book was done. But not only was the book done, I have actually learned quite a great deal through Kylee and in future how to approach other books.

My book fell into the hands of a publisher, and then picked up interest which led me to getting a publishing deal. A finished product definitely gave them an idea about what the finished product would look like, however another factor was, that the skills and knowledge I had learnt through Kylee and the process, also allowed me to speak to them in professional manner, understanding concepts which strengthened their willingness to invest in my as an author.

Overall, I am really grateful for Kylee helping me along the way in this part of my publishing journey, and making the process as painless as possible!

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CASE STUDY – Rhiannon Rees, against all odds – the life, the book, the distribution

Kylee Legge - Tuesday, June 14, 2011
The Publishing Queen

CASE STUDY – Rhiannon Rees, against all odds – the life, the book, the distribution

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Everyone has a life story to tell and quiet a lot of people want to write a book to share their story with others. The sad truth is that while everyone has a story not every story sells. The difference between a bad story and a good story, the decision about whether to write a book about your life or not, all comes down to emotions as an emotional story is what sells.

Enter Rhiannon Rees whose life to date has been one emotional roller coaster ride after the next. This incredible women not only survived child sexual abuse, losing contact with her mum for 10 years, her brother committing suicide, 5 miscarriages and losing her husband to his other identity as a women to become a penny less and homeless single mum but she choose to relive the horrific experiences and write a book about her journey so others going through a similar experience could relate and have renewed faith that there was indeed light at the end of their tunnel too.

But it wasn’t only the journey of writing that made a story for Rhiannon but the publishing and distribution proved to be just as colourful an experience. Rhiannon was both approached and approached many publishers and distributors to find the right company to produce her book. It was only after much research and careful consideration that she decided to work with The Publishing Queen as I am honoured to quote her saying “Kylee was the only one I knew would hold my hand the whole way through the publishing process and answer any questions I may have along the way”.

So honoured we began work on Rhiannon’s book answering her many questions throughout the various stages of the publishing process but as we did, just like her life story, yet another stumbling block was hit. I had assured Rhiannon that we would distribute her book in the US/UK (which I have the ability to do as an independent distributor in this channel) but when her wonderful book was pitched (which I was 100% certain would be successful) the pitch while accepted came with so many costly and product compromising terms and conditions (over which I had no control as they were set by the channel and not myself) that a rejection would have been more satisfying and so after much consideration (and  more questions answered) Rhiannon declined the offer.

While still extremely happy with the process I myself was sorely disappointed. How could I promise Rhiannon something and not fulfil? How could I be an independent distributor on a distribution channel and have no control over the outcome? The result was not up to my customer service standards and so I investigated other options. To cut a long story short a few months later I had left the channel which gave me no control for my customers, joined a new one (which usually can take years to be invited onboard), had re-pitched Rhiannon’s book, got it accepted on the same terms as we had for the AU/NZ market and her publishing journey was back on track.

For those of you who aren’t aware for the US/UK market the process from successful pitch to physically launching is stores can take up to 6 months so not all the fruits of Rhiannon’s labours have been seen yet. I will tell you this though... it is only a matter of days before your will see Rhiannon as a bestselling author on Amazon for “How To Climb Mount Everest In Sandals: The Courage To Live An Ordinary Life”.

For more information on Rhiannon’s book or to purchase a copy click here.

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HOW TO - Collect Killer Testimonials

Kylee Legge - Wednesday, June 01, 2011
The Publishing Queen

HOW TO - Collect Killer Testimonials

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When collecting testimonies for the back of your book I recommend sourcing them in the following order:

  1. A raving fan
  2. Someone related to the subject of your book
  3. Someone with celebrity status

There is no quick or easy way to get a celebrity on board as it is always who you know and not how well known you are. Saying this however if a celebrity is not the above 2 things first I would actually not recommend using them at all as a raving testimony from someone unknown will be more powerful than an ordinary testimony from a celebrity.

As far as how to reach the people you want testimonials form, think of who you want and put it out there to your network eg. ask all your friends, family, business/social contacts and networks you are connected to (online & off eg. social media is as good a source as asking people in person) for an introduction to who you want to speak to (and of course give them a good reason why – eg. tell them about your book as this will not only give credibility to your request, but it will be more likely to be accepted when someone find the connection for you). This can also help pre-sell your book by getting people talking about it before it exists. You never know who your dentist’s, best friend’s, cousin’s boss is?

For more tips on what is required to go on your cover and/or contents design for a saleable book check out my 5th book – ‘How to Design your Book to Stand out from the Crowd’.

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HOW TO MAKE SELF DISTRIBUTION AS EASY AS 1, 2, 3!

Kylee Legge - Friday, March 04, 2011
The Publishing Queen
Borders

HOW TO MAKE SELF DISTRIBUTION AS EASY AS 1, 2, 3!

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Well you have all heard me talk about how to make self publishing as easy as 1, 2, 3 but what about when it comes to distributing a book. The most popular ways to distribute a book at the moment are self, online and bookstore distribution but the easiest way to manage all 3 of these areas simultaniously (as the more areas of distribution you have the quicker you get returns) is via online distribution.

Traditionally online distribution involved having a customised template branded to match you and your book with multiple pages of content telling people everything they want to know about you, your book and how to buy it or contact you about it. Would you like to know how to run all 3 distribution methods from one web porthole and apply the appropriate marketing tools for all 3 methods to get each distribution method indirectly promoting the others for you?

The best way to combine the current top 5 online marketing techniques into a 7 page website:

PAGE 1 – HOMEPAGE
* VIDEO MARKETING (1 short 1 min video with you talking about your book) – PUTS YOU AT THE TOP OF GOOGLE – update never
* EMAIL MARKETING (Registration for your regular email updates in exchange for a sample chapter of your book) – BUILDS YOUR LIST TO MARKET TO – send an email out once a month with updates
* AFFILIATE MARKETING (Registration to become an affiliate in return for a percentage of the sales from anyone who purchases a book from you because your affiliate promoted your book to them. Tracked via a unique url sent to them at time of sign up for them to use to promote your book however they choose to.) – MAKES SELLING PASSIVE – update never

PAGE 2 – ABOUT THE BOOK
Content only – do not market eg. blurb, 3 testimonials, link to store to buy the book

PAGE 3 – ABOUT THE AUTHOR
Content only – do not market eg. about the author, link to events page to meet in person

PAGE 4 – BLOG
SEO MARKETING – INCREASES YOUR GOOGLE RATING EVERYTIME YOU POST – post a blog once a week commenting on anything relevant to your book

PAGE 5 – SPECIAL OFFER
SALES LETTER MARKETING (Create a package with your book eg. physical book & ebook so people who can’t decide which version they want or who want both can get them for a discounted package price.) - OPPORTUNITY TO UPSELL – update price once book releases from pre-order special to post-release special

PAGE 6 – STORE
Purchase only – no content or marketing (other than your terms of trade) this is simply a page people are directed to when they have already decided to make a purchase based on any other page or marketing technique used

PAGE 7 – CONTACT US
Content only – do not market eg. contact details, contact form, social media links etc.

The best way to bring self and bookstore distribution online to make it quicker and easier for you to manage each method:

PAGE 8 – MEDIA
This contains to sections for the media and from the media.
* FOR – include a downloadable photo of you, your book and you with your book along with a press release about the launch of your book and a follow up release every quarter
* FROM – include copies of press clipping for all magazines/newspapers coverage + audio/video files from all radio/tv coverage
This will allow you to manage the essential media coverage for successful bookstore distribution yourself.

PAGE 9 – EVENTS
This simply contains a calendar so people can see when and where they can go to meet you the author personally. Put every event you will be at whether it is your own or someone else’s, whether you are attending as a speaker or as an attendee so people know where they can find you.
This will allow you to manage both networking and speaking opportunities required for successful self distribution.

PAGE 10 – TESTIMONIALS
I recommend you include a testimonial in your template and several in your sales letter but this is the page where additional testimonials can be added (remember to use both written and video) so people can instantly see the ongoing popularity of your book.
This will give you both increased SEO and increased credibility.

If you would like more information on getting The Publishing Queen to create your complete self distribution and marketing solution as described above click here.

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